Reyez makes her entrance with 'I shoulda fucked your friends' on the adult contemporary quasi-trap ballad 'Do You Love Her,' and just before the reappearance of 'Figures' finishes with a comparably wholesome form of remorse on the gospel-tinged 'I Do.' The in-between highlights are just as scattered. Before Love Came to Kill Us simply, if in a deliberately messy way, expands on her EPs, singles, and collaborations. All of this has indicated that Reyez is a complex figure not cut out for unloading unified, easily digestible LPs.
Top 40 pop hit for Calvin Harris and Dua Lipa, and has also worked with Romeo Santos, Eminem, and Sam Smith. She has co-written simple love songs like 'One Kiss,' a U.K. The uncommonly versatile singer and songwriter went multi-platinum in her native Canada with a sparse heartbreak ballad, 'Figures.' Its parent release, the Kiddo EP, also featured the glass-rattling 'Gatekeeper' - an alarming account of her experience with a sexual predator - in which she sang from her perspective, and rapped and sang from that of the offender.
Buy the album Starting at 9.29€Īnyone familiar with the range Jessie Reyez has shown since 2016 was not taken aback by news that the artist fought the pressure to make her first album a cohesive one.
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